Back in Time: Edinburgh Fringe

Let's step back in time for a few paragraphs...to about a month ago when we were in Edinburgh, Scotland. You may recall me discussing our excellent experiences in England and Scotland along with the differences between the terms "United Kingdom", "Great Britain", and "England". Ring any bells? If no, the wonders of bloggular technology will allow you to be whisked back in time and read all about it. Either way, it is a fact that I mentioned the Edinburgh Fringe Festival, albeit briefly, in my exposition about this part of our trip and I had meant to expand a bit.

The Edinburgh Fringe Festival is noted as the world's largest arts festival. It is a city-wide jubilee, if you will, of theater, dance, comedy, music, and anything else you can conceivably do on stage (don't use your imagination too much). To give you a feel for the monstrous size of the event, Wikipedia informs us that "Fringe 2009 sold 1,859,235 tickets for 34,265 performances of 2,098 shows in 265 venues, over 25 days, for an average of over 74,000 admissions and 1,300 performances per day. There were an estimated 18,901 performers, from 60 countries."

So, 1,300 performances per day. Not too shabby for a city of just under half a million. As you might imagine, this thing takes over like Oprah in a bakery. The city is bursting with people passing out fliers, signs pointing to hundreds of venues, and thousands upon thousands of visitors who travel from all around to be entertained by the plentiful performers. And, as luck had it, our visit happened to coincide with all this madness.

I originally thought this might be a bad thing since this festival drives up prices of everything from hotels to happy meals, but I now realize that this may be the best time of year to visit Edinburgh. The city is alive day and night. People are everywhere and are frolicking in a festive kind of way rather than bustling in a business-as-usual fashion. The vibe is electric. Street performers coax you from around every corner. The smell of food fills your nose, the call of street-side vendors fills your ears, and tiny, colorful 4x6 fliers for every kind of show imaginable magically appear in your hands. Artists, actors, mimes, acrobats, comedians - they all converge into one tiny city for three short weeks as the rest of us scurry to gorge ourselves on the open buffet of revelry. It's quite an experience.

Though the "big" shows are sold out far in advance, Kane and I had our eye on a couple shows that we wanted to see. We bought tickets just before they sold out for Stephen K. Amos and then, in typical Kangie style, scoured the internet for someone with extra tickets to Jimmy Carr who was willing to part with them at a reasonable price. And so, we saw these two fine British comedians one night after another, with good seats to boot.

Stephen K. Amos also played at the Melbourne Comedy Festival earlier this year (which we attended heavily) but we were not able to acquire tickets to see him there. He also frequents one of our favorite Aussie shows Good News Week, so we had high hopes for him. Jimmy Carr is relatively famous (mostly in Britain but also some in the US) and was performing in a larger theater that was sold out far in advance. They were both pretty funny, but I have to say that Stephen was the better of the two in my opinion. He had a very personal show and I think, since this was one of his last shows of the festival, he was winging it a lot that night. He even said so. There were some really classic lines and I even got to be made fun of for being an American (I had to cheer when he asked if any Americans were there...).

Jimmy Carr's show was definitely good; it was a very planned, regimented show where you could tell he had everything (except the one hysterical heckler-laugher in the audience) very well rehearsed. Though he did deal with crazy laughing lady quite well, so he can obviously hold his own with the improv. He does happen to be more prone to dirty, uncouth jokes which, though they can be funny, tend to not appeal to me as well. He was still very good and Kane and I were really happy to have acquired tickets.

But, as for my very favorite part of Stephen K Amos's show? I wish I could find a video of it on the interwebs but YouTube is failing me...his intro was two girls doing Beyonce's 'All the Single Ladies' dance (if you don't know it, it's been excessively parodied by the likes of SNL and everyone else on the internet) during which he joins the dance as his segue onto the stage. It was unexpected and hilarious. He was brilliant. Here's a random clip of him since I couldn't find one from the actual show we saw:



And, unfortunately, that was it for our Edinburgh Fringe experience of 2009. I highly recommend visiting this fine city at any time, but the Fringe was definitely a special treat. Yeay for the arts!